We build things that hold attention.

Alethia makes a reference manager for historians, which is a hard thing to make anyone feel. The launch needed to argue that citations are a material — so the site sets a field of them in motion behind the copy, organising itself as you read.

One page, one idea. The launch film was cut from screen captures of the real product, not from a mockup of it, and the site says so.

An interactive film — nine tracks, nine rooms, one continuous camera move. The viewer steers between the rooms, so the edit is theirs, not ours.

Everything renders in real time so the grade can react to the audio. The hardest part was restraint: the film is at its best when the camera is almost still.

A production company that wanted its site to behave like its reels — no chrome, no scroll, straight into the work. Four views swap in place over a persistent canvas: the pattern this page you are reading borrows.

The whole site is one HTML file. Their producers update the reel list by editing the markup, which was the brief's only hard requirement.

A teaser campaign for a studio that had nothing to show yet — no screenshots, no title, only a tone. We built the tone: a shader that behaves like weather, over a name that refuses to fully resolve.

Weekly reveals, each one a single uniform changed. The finale swapped the fragment shader live as the trailer dropped.